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A Darkness More Than Night
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Amazon.com Review
When a sheriff's detective shows up on former FBI man Terry McCaleb's Catalina Island doorstep and requests his help in analyzing photographs of a crime scene, McCaleb at first demurs. He's newly married (to Graciela, who herself dragged him from retirement into a case in ), has a new baby daughter, and is finally strong again after a heart transplant. But once a bloodhound, always a bloodhound. One look at the video of Edward Gunn's trussed and strangled body puts McCaleb back on the investigative trail, hooked by two details: the small statue of an owl that watches over the murder scene and the Latin words "Cave Cave Dus Videt," meaning "Beware, beware, God sees," on the tape binding the victim's mouth.
Gunn was a small-time criminal who had been questioned repeatedly by LAPD Detective Harry Bosch in the unsolved murder of a prostitute, most recently on the night he was killed. McCaleb knows the tense, cranky Bosch (Michael Connelly's series star--see , , et al.) and decides to start by talking to him. But Bosch has time only for a brief chat. He's a prosecution witness in the high-profile trial of David Storey, a film director accused of killing a young actress during rough sex. By chance, however, McCaleb discovers an abstruse but concrete link between the scene of Gunn's murder and Harry Bosch's name: "This last guy's work is supposedly replete with owls all over the place. I can't pronounce his first name. It's spelled H-I-E-R-O-N-Y-M-U-S. He was Netherlandish, part of the northern renaissance. I guess owls were big up there."
McCaleb looked at the paper in front of him. The name she had just spelled seemed familiar to him.
"You forgot his last name. What's his last name?"
"Oh, sorry. It's Bosch. Like the spark plugs." Bosch fits McCaleb's profile of the killer, and McCaleb is both thunderstruck and afraid--thunderstruck that a cop he respects might have committed a horrendous murder and afraid that Bosch may just be good enough to get away with it. And when Bosch finds out (via a mysterious leak to tabloid reporter Jack McEvoy, late of Connelly's ) that he's being investigated for murder, he's furious, knowing that Storey's defense attorney may use the information to help get his extravagantly guilty client off scot-free.
It's the kind of plot that used to make great Westerns: two old gunslingers circling each other warily, each of them wondering if the other's gone bad. But there's more than one black hat in them thar hills, and Connelly masterfully joins the plot lines in a climax and denouement that will leave readers gasping but satisfied. --Barrie Trinkle
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Adult/High School-Harry Bosch, the worn, pragmatic Los Angeles police detective, protagonist of a number of Connelly's earlier books, is joined by Terry McCaleb, former FBI crime-scene profiler, introduced in Blood Work (Little, Brown, 1998). Harry is immersed in testifying at the murder trial of a Hollywood film director, Jack Storey. When McCaleb, retired and living a quiet life with a new wife and two young children, is asked by a former colleague to look at the investigation materials of a recent gruesome homicide, he realizes just how much he misses his vocation. Terry alone has noticed some clues from the crime-scene video that point toward the influence of Renaissance painter Hieronymus Bosch. Despite pleas from his wife, Terry is drawn into the investigation and finds, to his dismay, that pointers lead straight to acquaintance Harry Bosch, whose real name is Hieronymus. Certain details in Harry's life fit in well with the profile Terry is developing of a ritualistic killer. The clues stemming from Bosch's paintings may lead readers straight to the Internet to view some of Bosch's well-known works to see the clues for themselves. The plot is intricate, and the twists and turns keep coming, but it is so well done, and the characters are so vivid, that confusion isn't a problem. Despite its length, this involving book is a fast read with "can't put it down" appeal.
Carol DeAngelo, Kings Park Library, Burke, VA
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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28/05/2001
Michael Connelly is the BEST mystery-thriller writer working today, so it almost goes without saying that this book stands head and shoulders above most others within this overcrowded genre. In *A Darkness More Than Night*, he demonstrates once again his extraordinary skills in terms of weaving intricate plots filled with twists, turns, and early-innocuous-clues-that-become-pivotal-later-on. He also has developed not just one but two extraordinary protagonists, Harry Bosch and Terrance McCaleb, and their "face-off" in this book adds a fascinating dimension to an already fine work. Connelly also does a wonderful job of creating the *noir*, "there is evil afoot in this world" mood/philosophy that pervades his books. The discussions of Hieronymus Bosch's paintings, the symbolic meanings of owls, etc., are absolutely riveting.
Given that I've bestowed such effusive praise upon this novel, why four stars instead of five? First, it's apparent that the novel will be appreciated far more -perhaps excessively high. Overall, this is a wonderful novel that leaves me waiting impatiently for Connelly's next work.

30/01/2001
"A Darkness More Than Night" (the title comes from a line in a novel - "The Concrete Blonde" and "Trunk Music" come to mind. "Darkness," on the other hand, proved to be relatively easy to figure out about 100 pages before the end of the novel. Nevertheless, it's still a gripping read. Most of Connelly's books are dark and edgy, but the darkness and edginess are even more palpable in this book. McCaleb's investigation takes him (and the reader) into a very grim Renaissance age painter, the owl as a symbol of evil, and an unnervingly cocky defendant in a media circus trial.
One of the most interesting things about "Darkness" for readers who've read the Bosch novels is the glimpse of what Bosch comes across like to someone else. The encounters between McCaleb and Bosch -- not the first one, but the ones after that -- are fascinating and point to the difference between the two men: especially Bosch's "avenging angel" nature.
Another interesting thing about this book (and many of Connelly's others) is the way that he weaves in facts and characters from earlier books. Readers of "Void Moon" who wonder what happened to Cassie Black's parole officer (Thelma) find out here. It's just a throwaway paragraph, but it's a nice touch.
In summary, Connelly is a consistently good writer, and "Darkness" doesn't disappoint, even if it telegraphs the solution to the mystery a little too early. It's still satisfying to the end.

16/01/2001
It's double trouble and a double treat for fans of mystery master Michael Connelly when he pairs two of his compelling protagonists - LAPD Detective Hieronymus Bosch ( "The Black Ice," "The Concrete Blonde," etc) and Terry McCaleb ("Bloodwork"). The duo serve up surprises and shocks in this tale of murder and mayhem Hollywood-style.
Michael Beck, who has read several of John Grisham's classics, delivers a blockbuster performance in this riveting encounter with a movie director accused of murdering an actress. LA is, of course, agog, clamoring for details.
The trial transfixes as Bosch, who was the arresting officer, is also a star witness. He goes mano a mano with McCaleb who has a different take on the crime.
As the complexly plotted drama unfolds it seems that what may be the conclusion is too outre, too incredible to consider. What a pair of crime busters! What a seductive read! What a bravura performance!
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