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Capture: Digital Photography Essentials
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About the Author
Glenn Rand is an artist with internationally acceptance. His photographs are in the collections of more than two dozen museums and public collection in the United States, Europe, and Japan. Included are the Detroit Institute of Art and the Kresge Art Center. He has also exhibited widely throughout the United States.
Glenn has published and lectured extensively about photography and digital imaging ranging from commercial aesthetics to the technical fine points of black and white photography. Books written include Black and White Photography and Digital Photographic Capture.
Presently, Dr. Rand is the program director of the graduate program at Brooks Institute in Santa Barbara, California.
Christopher Broughton, has been a faculty member of Brooks Institute since 1996. Prior to becoming a full-time faculty member he served as Director of Laboratory Operations while completing his Masters of Science degree at Brooks Institute. Also in 1996, he served as faculty for University of Pittsburgh's Semester of Sea program. Broughton has authored articles in Petersen's Photographic, Outdoor Photographer, PC Photo, and in Studio Photographer and Design Magazines. He has been a featured lecturer for Hasselbald USA and Eastman Kodak. His photographs are exhibited and represented by Four Friends Gallery in Thousand Oaks, CA and can be seen on his website www.christopherbroughton.com. Broughton was responsible for revamping Brooks Institute's introductory photo class to be digitally-based. He has been active in working on digital capture, workflow, and output since it was introduced into the photographic workflow.
Amanda Quintenz-Fiedler is a writer, photographer, and educator. She graduated Phi Beta Kappa from Purdue University in 2000 with a major in Interdisciplinary Film Studies and minors in Photography, English, and Math. She went on to pursue a MFA in Photography from Brooks Institute, graduating in 2009. Her MFA culminating project, "American Narcissism", was a visual and verbal examination of modern American attitudes. She has written articles regarding photographers, digital fine art theory, and fine art education for publications such as Rangefinder, Digital Photo Pro, Photographers Forum, and the Photo Imaging Education Association (PIEA) Journal.
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13/06/2011
Capture is the book I have been looking for! Great illustrations and easy to understand. I teach courses in beginning, intermediate, and advanced digital photography and I have been looking for a book that is a more in-depth and comprehensive study without a huge price tag (since is something I want students to buy). What you won't find in this book is a lot of page-space dedicated to what an aperture is, what a shutter is and how to push the button on your camera so you can get a photo. These days all of that information is available for free on-line. I would feel guilty asking a student to buy something they can get for free. Capture, however, goes much further. It serves to put into one place an in-depth exploration of the entire process of the digital capture. line for the free info. If you want to grow as a digital photographer and have a deeper understanding about how it all works and how it applies to you, this is the book for you.

06/05/2011
Photography is an art that has continued to evolve with the discovery of new techniques for capturing images. Digital photography is the latest step in the evolutionary path of photography. Creating images still requires the photographer to understand composure, light, and exposure. The digital photographer also must understand and compensate for the nuances of the equipment, just like the film photographer. Whether you are a digital native or digital immigrant, Capture will explain the techniques used in image creation.
I particularly enjoyed that this book discussed theory rather than the mechanics of any one brand or type of camera. Cameras were classified as consumer, prosumer, and professional. The classifications were helpful in distinguishing equipment differences. The chapter on Sensors enabled me to make a diagnosis of a failing sensor in my consumer grade point and click camera. Understanding how a sensor is constructed and how it works allowed me to understand why my images were exhibiting an undesirable result with certain light conditions.
Capture has much useful information and many great photographs illustrating the points made in the text. Some photographs were captioned to illustrate steps or mid points in a discussion while others were clearly great examples of the accompanying text, no caption needed. I liked this book and would recommend it for anyone interested in understanding digital photography.
Disclosure: I recieved a free ebook copy for reviewing purposes.
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