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Rant: The Oral Biography of Buster Casey
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From Publishers Weekly
Buster Casey, destined to live fast, die young and murder as many people as he can, is the rotten seed at the core of Palahniuk's comically nasty eighth novel (after Haunted; Lullaby; Diary; etc.). Set in a future where urbanites are segregated by strict curfews into Daytimers and Nighttimers, the narrative unfolds as an oral history comprising contradictory accounts from people who knew Buster. These include childhood friends horrified by the boy's macabre behavior (getting snakes, scorpions and spiders to bite him and induce instant erections; repeatedly infecting himself with rabies), policemen and doctors who had dealings with the rabies "superspreader"; and Party Crashers, thrill-seeking Nighttimers who turn city streets into demolition derby arenas. After liberally infecting his hometown peers with rabies, Buster hits the big city and takes up with the Party Crashers. A series of deaths lead to a police investigation of Buster (long-since known as "Rant"—the sound children make while vomiting) that peaks just as Buster apparently commits suicide in a blaze of car-crash glory. This dark religious parable (there's even a resurrection) from the master of grotesque excess may not attract new readers, but it will delight old ones. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
edition.
From
Zombies, government conspiracies, religious epiphanies, time travel, a postmodern Typhoid Mary, and a woman who mixes thumbtacks into her cookie doughall are fair game in Rant, Chuck Palahniuk's eighth novel. Critics agreed that Rant is vintage Palahniuk, a grim thriller ride filled with his signature black humor, withering social commentary, and stomach-churning details. Some grumbled, however, that the ideas in Rant have been recycled from previous novels, particularly Fight Club. They were also disappointed with the novel's lack of depth, distracting structure (a succession of hundreds of brief eyewitness testimonies), and underlying glorification of violence. The truth is that Palahniuk is an acquired taste. Readers either love him or leave him alone, and will judge Rant accordingly.
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to the
edition.
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09/08/2008
I thought it was excellent. Ye sit took awhile to get rolling and it was a touch confusing trying to see where it would lead. But the last 1/4 of the book was impossible to put down. Palanhiuk's standard twists and turns are all there.
Well worth the read.

31/05/2007
Chuck is back! I can happily and unreservedly recommend "Rant" -- to fans of Palahniuk, that is.
After "Haunted", which had many interesting moments, but which otherwise failed to really come together for me, "Rant" is a satisfying, interesting, challenging read. The narrative structure is definitely different, taking the form of transcripts from oral interviews about a character who's no longer on the stage to represent himself. As a result, what you get is a tangled projection, at times incomplete and often contradictory, of that central character, as seen through the eyes of the people who knew him. And - in which Wallace Boyer is essentially a representative of the author, Chuck Palahniuk, himself. Like Boyer, Palahniuk carefully, and skillfully, directs readers through a series of "control questions", "embedded commands", and "pacing", taking them exactly and only where he wants them to go.
The novel explores some big, mind-bending ideas, too, all with a vintage Palahniuk backdrop. Surreal touches like the "Sex Tornado", "Animal Fishing", and "Party Crashing" will remind you of other Palahniuk novels, while the voices of the characters in "Rant" are rather different. They remind me of the characters in Mark Richard's "The Ice at the Bottom of the World", which I've also reviewed (and this is meant as a very favorable comparison). Other aspects remind me of the postmodern elements of a Don DeLillo. Also, because of the narrative structure, the novel is *all dialogue*, and no description (except for what you get in dialogue). It's a little bit more like a play than a novel in that way. Very interesting, and usually successful.
An added bonus: Palahniuk manages to put a reference to his own "Fight Club" into the novel, evoking it as a cultural artifact in the world Rant Casey inhabits.

03/05/2007
. It is half a condemnation of a spirit-deadening world, and half a celebration of it. It's morbid, grotesque, unsettling, evocative, and sometimes just plain hilarious.
It's Palahniuk. What more can I say?
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